Bruta LaGrafia, Calligraphy Beyond Styles
2-Day Workshop
Tuesday, July 6 at 9:00 AM CDT
Beginner – Intermediate
Lettering • Design • Painting
Description
Approaches and creative processes based on calligraphy.
Beginner intermediate level workshop designed for calligraphers and artists interested in investigating creative methodologies for calligraphy through a mixture of practical brushes and metal nibs. This meeting proposes that students work using their own knowledge of calligraphy, working with styles that make them feel at ease with ideas that will be outside that comfort zone.
Through simple practices, students will explore and extrapolate their own limits through investigations that lead them to discover and develop particular methodologies to walk paths full of identity and freshness. A process of searching for a unique and singular brand for your creations. Regardless of the style, each student will take a trip to invent images through traces of two types of instruments that are both intimate, known, mysterious and unpredictable.
Supplies
I always recommend some materials, but I understand (and prefer) that students use materials that they are comfortable with. In terms of size, I see the importance of working in at least two sizes to understand some relationships of contrast and speed. But the brand of the material doesn’t matter much.
- 1 Metal pen, model P6, P5 or P4 (6, 5 or 4 mm), or Pilot Parallel Pen 6mm or 3.8mm or 2.4mm, or Speedball metal pen C0 or C1 or C2, or similar pen nib, at least 2.4 mm wide
- 1 Pen handle
- 1 Pack of black school ink (or similar) and a small ink reservoir
- 1 Reservoir for water
- 1 HB or B pencil (nº 2)
- 1 Pad of Canson or similar drawing paper, size A3 in 90gsm, 120gsm, 140gsm or 180gsm
- 1 Set of squares or rulers
- Paper towels
- *A round-tip brush or dropper to place ink in the pen reservoir of Speedball or similar nibs.
- The suggestion for poster paper is A2 size parchment paper (40gsm) or another paper weighing no more than 75gsm to facilitate folding and sewing on the book.
Optional materials: - Brushes – Short bristles: BR24 Raphael Kaerell Flat Brush: size 04 and 6 (3/16 ”and 1/4”) and / or 08/10 (5/16 ”/ 3/8”) Windsor & Newton: 995 (BR01) for ½ “and larger (but only for students who are thinking of producing very large pieces such as A2 format or larger. (Optional)
- Brushes – Long bristles BR60. Simply Simmons Brushes 1/2 ” BR12. Rekab brush # 5 (1/4 ”)
- Ink (optional) (colored inks: ecoline, liquid watercolor, Windsor & Newton calligraphy ink, Sepia inks, Pelikan 4001, liquid acrylic ink, etc.)
Click on photo to visit biography page
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic