Round & Robust: Exploring Uncial
2-Day (9+ hour) Workshop Available through June 1, 2022
Beginner – Advanced
Start studying now & save!
Uncial was the preeminent calligraphic style used in the first millennium for transcribing religious texts on parchment. Today this style endures with beautifully solid yet graceful letterforms, ideal for evoking not only antiquity and clarity, but also playfulness, fluidity and fun. Whether you are new to uncial or a seasoned “uncialist” in need of a brush up, this course is perfect for you. After a brief review of where uncial fits into the history of letterforms, we jump right in with the structure, spacing, variations and flourishing of the 26 letters. There is time for hands-on practice, and opportunities to sit back and observe demonstrations as well.
- A good pad or ream of practice paper, whatever you like working on. The letterforms we will be creating are 3½ to 4 pen widths tall, and I’d suggest you PRE-RULE your paper if you are starting with plain unruled paper.
If you are new to this and need some hand-holding, please contact me (see below).
- If you don’t already have paper on hand, here are some suggestions.
- Borden and Riley “Paris Paper for Pens” #234, 11×17 or 14×17.
- Bienfang Calligraphy practice pad, #206
- Staples bright white 28 pound (available in letter size…but get larger if you can)
- Many like the John Neal practice pad: Item #P-21 at www.johnnealbooks.com
This is primarily a lettering class and I encourage practice, practice, practice. But it is also important to apply your beautiful letterforms to something other than a practice pad, so if you want to work on a small project, consider having a sheet of some “nicer” paper at hand. Your choice: watercolor paper, Mi Tientes, or other art paper.
I would recommend:
- Pilot Parallel Pen (the green cap 3.8 mm size or blue cap 6.0 mm size would be good to start). Be sure to get some refill cartridges!
- If you prefer dip pens, use what you like working with: Brause, Mitchell, Speedball, even crisp new calligraphy markers will work.
What size nibs to get? Every pen nib company has a different numbering system, so I cannot give a specific size. Consider a medium nib, something about 1/8” (4 mm) in width for practicing, and other sizes, both larger and smaller, if you want to work on a project.
Some good practice ink is enough. Examples include: Higgins Eternal, Higgins Sepia, Walnut ink, etc. Ironically, I haven’t had very good experience with Higgins Calligraphy ink. But that’s just me.
If you like working with gouache or acrylics or watercolors, be sure to have a water can, mixing palette, mixing brushes and some paper towels at hand.
DRAFTING AND NOTE-TAKING MATERIALS
Metal ruler or t-square big enough to rule lines across the paper you have.
Pencil (#2 or harder), and eraser
Pen/pencil and pad/notebook
A lyric, passage, poem, or short verse that you can use to create a final project. Keep it modest in size (a couple of sentences maximum).
Click on photo to visit biography page
Sequence: Journey of Experimental Calligraphy
The Unconventional Pointed Pen
Drawing the Fibonacci Sequence
Basic Rudolf Koch:
Blackletter Und Neuland
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
Letters & Blossoms
Beginning Copperplate Script
A Letter and a Rectangle
Ben Shahn Lettering
(M) Handwritten: The Art of Tattoo Lettering
(M) Painting Knotty Letters
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
Breaking the Rules
(M) Variations in A
The Glittering Vine
Victorian Frames & Labels
(M) Learning to Sketch Out Celtic Knots
Ruling Pens Beyond the Rules
The Alchemist’s Magic
(T) Mastering Italic
(M) A Meditative Calligraphy Technique
(M) Pen to Pixels
(M) Lines & Tines
Expressive Pointed Italic
(M) Learn to Sketchnote!
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
Loosening Up With Calligraphy & Paint
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Graffiti Writing - The New York Lesson
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
The Empty Space, Womb of Shape
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals & White Vine Decoration
Colorful Lettering Composition
Akim Variations and Long Compositions